| TITLE |
INSTRUMENTATION |
LENGTH |
| SACRED SOULS (2013) |
bass clarinet, orchestra and tape
|
20 min. |
WORK IN PROGRESS
| BEIGE AND YELLOW (2012) |
Duet for cornet and trumpet
|
12 min. |
WORK IN PROGRESS
FIRST PERFORMANCE: March 8, 2011 at Piano Magic, NYC
| HER MAJESTY (2012) |
Three electric guitars
|
12 min. |
WORK IN PROGRESS
For Mark Stewart
| FANFARE FOR TRUMPET (2009) |
Trumpet in B flat
|
8 min. |
For Barack Obama
FIRST PERFORMANCE: April 4, 2009 at Piano Magic, NYC
| MUSIC FOR BOUND (2008) |
Solo Piano with two ebows
|
19-20 min. |
From BOUND, a collaboration with Elka Krajewska and Anthonly McCall
FIRST PERFORMANCE: April 12, 2008 at Lehman Moupin Gallery, NYC
| WHERE IS JEFF? (2008) |
b. cl, vc, trp, pf, glock, vibe, drums
w/ a film by Bunita Marcus
|
18 min. |
In Memory of Jeff Hoyer
FIRST PERFORMANCE: March 12, 2008 at Roulette, NYC
| FOR JEFF HOYER (2007) |
two pianos
w/ a film by Bunita Marcus |
20 min. |
FIRST PERFORMANCE: January 20, 2007 at Piano Magic, NYC
| EXPEDITIONS (2007) |
two pianos |
15-20 min. |
FIRST PERFORMANCE: October, 2007 at Piano Magic, NYC
| ARE YOU RECORDING? (2007) |
two pianos |
15-20 min. |
Improvisation
| COUNTER POINTS (2007) |
two pianos |
15-20 min. |
FIRST PERFORMANCE: November, 2007 at Piano Magic, NYC
| LULLABY (2002) |
solo piano |
3 min. |
For Morton Feldman
| MUSIC FOR DAILY LIFE |
transposable voice |
1-4 min. per song |
Near completion, forty+ songs COMMISSIONED BY: John Cage
|
SUGARCUBES (1996) |
solo piano |
5 min. |
In Memory of John Cage
First Public Performance: North River Series, Greenwich House, New York City 1998
| JULIA (1989) |
solo piano |
8 min. |
COMMISSIONED BY: EMI Records, Tokyo, for Aki Takahashi, FIRST PERFORMANCE: Tokyo, 1990
BUT TO FASHION A LULLABY FOR YOU (1988, REV 1998)
|
solo piano
|
25 min.
|
In Memory of Morton Feldman
COMMISSIONED BY: Morton Feldman for Aki Takahashi, FIRST PERFORMANCE: Bunita Marcus, NYC 1988 Revised: First Performance: Aki Takahashi, Tokyo 2000
COMMISSIONED BY: Middelburg Festival for the Xenakis Ensemble First Performance: The Middelburg Festival, Holland, 1987
| CORPSE AND MIRROR (1986) |
vn, 16 gongs, 2 vibr, kodo |
22 min. |
SPECIAL COMMISSION BY: Friedrich Hommel for Internationalen Ferienkurse fur Neue Musik Final Ceremony, Darmstadt Festival First Performance : Darmstadt Festival, Germany, 1986
COMMISSIONED BY: Kronos Quartet, FIRST PERFORMANCE: Middelburg Festival, Holland, 1986 AWARD: Kranichsteiner Musikpreis, Darmstadt International Music Festival, 1986
COMMISSIONED BY: Feldman and Soloists, FIRST PERFORMANCE : Almeida Festival, London, 1985
text2 BY: David Shapiro
| SLEEPING WOMEN (1984) |
fl, vn, pf |
12 min. |
COMMISSIONED BY: Feldman and Soloists, FIRST PERFORMANCE: Almeida Festival, London, 1986
COMMISSIONED BY: Sound-Space ARK Ensemble, FIRST PERFORMANCE: Sound-Space ARK 10th Anniversary Concert, Sogetsu Hall, Tokyo, 1983, COMMAND PERFORMANCE (Toru Takemitsu request): for the International Festival of the Arts, Japan Society, New York, 1988, CHOREOGRAPHED (for solo male dancer) and performed by : Tim Wengerd
| SOLO (1982) |
solo flute |
31 min. |
COMMISSIONED BY: Eberhard Blum, FIRST PERFORMANCE: Atelier Wolfram Erber, Berlin, 1982 AWARD: ISCM: League of Composers, National Composers Competition, 1983
| MERRY CHRISTMAS, MRS. WHITING (1981) |
solo piano |
4 min. |
First Performance : Buffalo New Music Ensemble, 1983
COMMISSIONED BY: Aki Takahashi, FIRST PERFORMANCE: Evenings for New Music, Albright Knox Gallery, Buffalo, 1981 AWARD: ISCM: Two Pianos and Violin, First selection by international jury, World Music Days, Graz 1982
| WOLPE VARIATIONS (1980) |
solo piano |
9 min. |
First Performance: North River Series, Lisa Moore, Piano, New York City, 1998
COMMISSIONED BY: Yvar Mikhashoff & Francis Uitti, FIRST PERFORMANCE: Composers Forum, Buffalo, 1979 CHOREOGRAPHED and performed by: Erroll Simpson Dance Company
FIRST PERFORMANCE: Composers Forum, Buffalo, 1979
FIRST PERFORMANCE: Composers Forum, Buffalo, Jan Williams Conducting, 1978
| APOGEE FOUR (1978) |
a. fl & perc |
10 min. |
COMMISSIONED BY: Robert Dick and Albert Furness, FIRST PERFORMANCE: Albert Furness Master Recital, Buffalo, 1978
| APOGEE THREE (1977) |
solo clarinet |
15 min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1978
| APOGEE TWO (1977) |
cb, perc |
10 min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1977
| PARENT TERRAIN (1977) |
cl, bc, vc, cb, 2 perc |
9 min. |
First Performance: Composers Forum, Buffalo, 1977
| APOGEE ONE (1976) |
solo guitar |
8 min. |
FIRST PERFORMANCE: Den Haag, Belgium, 1993 Performed by: Seth Josel
| QUINTET (1976) |
cl, bc, 3 perc |
10 min. |
FIRST PERFORMANCE: UW Contemporary Ensemble, 1976
| DROUM (1975) |
sop, m. sop, tenor; fl, bc, vn, ob, gtr, perc |
15 min. |
A mini-opera for children of all ages.
FIRST PERFORMANCE: UW Contemporary Ensemble, 1975
| 1975 (1975) |
ARP 2600 synthesizer,, a. sax, bc, gtr, steel drum |
12 min. |
FIRST PERFORMANCE: UW Electronic Music Series, 1975
| VALENTINE (1974) |
solo transposable voice |
3 min. |
FIRST PERFORMANCE: Composers Forum, Buffalo, 1980
ELECTRONIC / MULTI-MEDIA / PERFORMANCE ART
| MANHATTAN MADNESS (1990) |
short film |
3 min. |
| IMAGINARY MAX (1990) |
tape |
40 min. |
| ICE FALLING (1990) |
tape |
45 min. |
| WOMEN'S WORK (1990) |
actress, props, tape |
35 min. |
| KNIFE FACTS (1990) |
2 martial artists, knives & props |
15 min. |
| READINGS OF A POLITICAL NATURE (1990) |
speaker |
30 min. |
| PERHAPS A WOMAN WOULD KNOW (1976) |
Tape, dance, brass, perc, actors, poetry |
35 min. |
| VISA (1976) |
Tape, film, slides, classical gtr |
20 min. |
| TAPE PIECE (1975) |
tape |
7 min. |
| THE SKY IS FALLING (1974) |
tape |
25 min. |
|
